Spin Spin The Dogs take the bare bones of what's commonly known as the 'post-punk' sound and immediately swing off course into uncharted waters, constructing an inherently surreal and energetic pile of mess that almost resembles the Trout Mask-era Magic Band playing Prayers on Fire-era Birthday Party, with a big (probably unintentional) nod towards underrated trouble-makers Prolapse. And the singer is something else, charging around wild-eyed, spewing out head-spinning reams of dadaist beat blather like his life depends on keeping his mouth moving quicker than his brain can implement coherence.
Up from the sea-lap pebbles of the Sussex coast, beneath the battled sky, there, cupped like metal-fire in the clutching cauldron of the Brighton downs dwells the throb, purr, snarl and roar of Sweet Williams. A band whose grooves warm like loving wine, whose riffs swagger and lurch with all the seeming bonhomie of a sailor new on shore-leave, and yet like a stray dog which you imagined you could tame, those same riffs are liable in the end to wind up biting you on the arse.
That Fucking Tank is Andy Abbott and James Islip. They have been playing music together since pre-teenhood when they met at school in 1991. Tank was formed in Leeds as a one-off performance utilising some novelty equipment - a baritone guitar tuned to play bass and guitar lines simultaneously through two amps, and a minimal drum set - which kept on going. Their most recent album, "Tanknology", has extended grooves, progressive structures and pop hooks for Reef's Gary Stringer to sing along to.
The Unit Ama make music that explodes outward: dense but soothing metronomic pulses morph into a wild fracturing of the traditional rock trio, taking the possibilities of what can be done with guitar, bass, drums and vocals into the stratosphere. Whereas others have sought to push the limits of rock music by intense complication and trickery, The Unit Ama's approach is natural, human, shamanic even. This is not anthemic, easy listening, but something far more challenging and ultimately, rewarding.
Hailing from Ireland, France and England THE WHARVES sport startling duel vocals, courtesy of Gemma Fleet (bass) and Dearbhla Minogue (guitar), which hang gracefully over their minimal rock format. They invoke the reverberated spook of 60′s girl groups, the mid-fi guitar crunch of Kim Deal’s The Amps, the vocal flavours of The Roches and the narrative and structural panache of 70's progressive folk. Marion Andrau’s thunderous drumming drives through these compositions, ensuring the wealth of disparate influences remain focused and celebratory. In 2013 they released a split LP with The Rosy Crucifixion on Glasgow's Soft Power Recordings and release a full length LP in 2014 with Gringo.
Brothers Alexander and Austin Peru first met Andres Cuatroquesos in a small boys boarding school in Menen, Belgium. They rekindled their friendship in London seven years ago, and proceeded to meet up every week at an after-college music club. There, they were given the opportunity by a generous music teacher to record in his home studio in Hither Green, and there they honed their sound under the careful direction of Mr Healey. Their debut LP, Mas Fiestas con el Grupo Vision Fortune, is out 15 April 2013 and is a split release between Faux Discx and Gringo Records, a duo of labels that has been behind previous releases from like-minded artists such as Cold Pumas, Sauna Youth and Hookworms.
Imagine buying a Captain Beefheart record, playing it at 45 instead of 33, recording that, and then playing that at double speed really fucking loud with lots of screaming over the top. They're a massively enjoyable experience all the more so for the obvious delight they take in their aural assault. Simon the singer manages to wipe out half the drum kit after the first bar and they only slow it down once in the set to play a song that sounds like Black Sabbath trying to play something by Conflict and giving up halfway through to go doom. Steve the drummer has been doing this for years (in Heresy) and keeps the beat feeling good even when playing faster than you can see!